I’ve been tagged by Renee Rivers to carry on the blog hop on the topic of writing. On Renee’s blog, you never know what you’ll find next. One thing is for sure though, it will be entertaining and informative.
I’m going to follow Renee’s lead and answer the same questions she did on her blog. Then I’m going to tag someone else who will share more writing secrets.
What am I working on as a writer?
As one of several members of a group called “Loveahappyending,” I write magazine-style pieces for the group’s online magazine. My category for the quarterly contributions is Outdoor Life. That pretty much includes most of what I like to do when I’m not writing. Anything to do with nature and the outdoors is of interest to me. I love to take photographs to accompany my writing to help spark interest in the magazine which contains articles of a great variety of topics by other authors.
I also contribute articles about editing and writing tips. I hope to follow my own advice whether I’m writing for this magazine or working on my next novel, a sequel to The Wind Weeps.
Why do I write what I do?
I believe in the saying, “Write what you know,” so the settings for my novels are places I have been, places I’m very familiar with. My goal is to make the reader feel as if he or she is on location with my characters and so the settings for the scenes must be believable and imaginable. The secret is in the details. You don’t need a lengthy description of a place to get a sense of it. I’d like to give you some short examples of how the setting is woven into the story here and there.
From The Wind Weeps:
I put my jeans and sneakers back on and sat on a log with my elbows propped on my legs, head slumped forward staring down at the wet gravel. Tiny beach crabs scurried along and dug under small rocks for safety. I imagined them terrified by the giant who hovered over them staring down hungrily. Seagulls squealed warnings. A tiny shorebird alternately hopped and ran in and out playing tag with the waves, picking at things in the sandier part of the beach. I wondered if I would still be sitting here a week from now, watching—and waiting to be rescued.
From Julia’s Violinist:
The walk from Sternberg to Koenigshofen was long, but the air was fresh and clean. Karl was not a person who loved nature, but after being stuck in the gloomy castle, it felt good to get out. He savoured the earthy smell of the steam coming off the land as the sun warmed it. On either side of the road the fields stretched out like a checkerboard of yellow and green, lovely colours after the dark browns and greys of the castle rooms. Even the birds showed their appreciation for another beautiful day as they hopped from shrub to shrub along the ditch, singing and scolding.
From Orion’s Gift:
I had always known that Mexico was poor, and yet I was shocked at the desperate poverty evident in the shabby suburbs of Tecate. Shacks built of rusty sheets of corrugated metal; bits of weathered plywood of all shapes and sizes; anything their owners could scrounge. A car door made an instant wall and window. Sometimes rows of tires stacked up and filled with dirt served as outside walls. And everywhere, plastic garbage bags littered the landscape. The unfortunate cardón cacti must have cursed their spines. Garbage bags speared on them were fated to remain there until the sun rendered the plastic brittle enough to be shredded by the wind.
This is why I write what I do. I’ve been there and it’s familiar territory and therefore should sound authentic.
How does my writing process look?
This is a difficult question at the moment. I’ve had many months of writer’s block with my sequel of The Wind Weeps. The storyline is down and I’m many chapters into it, but it’s hard to find enough time to write. I have short snippets of time when I can write a blog post or a magazine article, but for a long-term project such as a novel, longer blocks of time are needed to think and plan. Lately I’ve been lacking that much available uninterrupted thinking time.
I plan to get “jump-started” again in the next days. My usual process for novel writing looks like this: I come up with my characters and their dilemma (there always has to be a dilemma). I make notes about what each character wants or needs (these may not be the same thing), and I jot down their strengths and weaknesses. Then I draw a timeline and mark on it the major events that will bring the story to its climax and finally its ending.
Once this is done, I jot down the smaller events that will happen, mainly in the form of the results I want to achieve. For example: if X is to marry Y, I mark this down as a mini goal under the bigger umbrella. Lastly, I decide on scenes I need to make this happen, and list those under the marriage entry.
The dialogue used in each scene can go a long way towards showing the reader what kind of character each one is. It can also be used to drive the action. Strange things can happen though. Once I was writing a scene with a lot of dialogue. I had a plan as to where the dialogue should lead me to make the scene work, but as I wrote, I put down the responses that would naturally come from the characters and they led me in a different direction than I expected. At the end of the scene, I did some silent handclapping and chortled, “Ooh! I didn’t know that was going to happen!” So my methods don’t always work out the way I planned, but sometimes it ends up even better to let the keyboard take over.
This is one of the reasons I find writing so rewarding. Every writing session is like a new adventure. You don’t always know what will come out of the keyboard’s mouth.
To follow me on the blog hop, I am tagging Lynne Nielsen who writes under the pen name of Grace. You can find her writing on her blog, called Alice and Molly : beautiful words. When you read her work, you’ll be taken into a world of sensitive descriptions, images, and emotions. It’s a treat to read Lynne’s posts. Be sure to visit her blog and find out how she does it.