How Do You Choose a Book?

In a bookstore, I hate to admit it but I judge a book by its cover. But let me qualify that. I only let that be my first criterion. Still, for writers out there, hoping to sell a book, that first impulse of the reader to pick up a book with an intriguing cover can add a lot to your sales, so make sure you get a great cover for your book.

Next, I like to read the flap on the jacket, or the back cover if it’s a paperback. I want to be drawn into the subject of the book and have a taste of the dilemma the characters find themselves in without having the ending spoiled for me. Just a teaser is all I want.

Then, if I think this subject might be something for me, I will read the opening sentence, and maybe as much as the first page or two. That will tell me most of what I need to know.

If I’m browsing for an e-book and I’m on a site like Amazon or Smashwords, I will click on the book cover where it says “Look Inside.”

This is where I make my decision.

Does the opening sentence hook me right away? Is it relevant to the plot of the story? Beware of the amateur opening sentences that begin the scene with:

  • the alarm clock going off
  • someone waking from a dream
  • someone driving by in a vehicle and describing the scenery
  • talking about the weather and telling you “It was a dark and stormy night.”

How does the author handle dialogue? Are there too many fancy, distracting words that  replace “said” and “asked”? If I see words like “inquired,” “responded,” “explained,” “answered,” “replied,” “questioned,” and “announced,” I will reluctantly leave that book for someone else to suffer through.  Even if the author uses the standard “said” and “asked” to move the story along more efficiently, if these words are followed by adverbs, I am also turned off. Once in a while, it is acceptable, but not as a general rule. It becomes tiresome to read:

  • “How did that happen?” she asked angrily.
  • “I have no idea,” he said, innocently.

The only thing that could make it worse is to have a gerund added into the mix:

  • “How did that happen?” she asked angrily, bunching up her fists on her hips.
  • “I have no idea,” he said, innocently, rolling his eyes.

These are clues you will find easily in the first few pages of a book. If you notice these examples of poor writing, you can still flip a few pages and check to see if the pattern continues. If it does, you will probably be glad if you give that book a pass and look for something else.

There are many other clues you might look for to see if you might like a book, but in this post I have tried to mention a few of the main ones that I look for.

How do you decide on your next book to read?  Do you have some ideas you’d like to share?

 

 

 

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Why You Need a Copy-editor

Lately I have been reading a lot of crime thrillers. The e-book versions are reasonably priced and I’m reading so many of them that I don’t remember them for long afterwards. It’s a bit like watching an episode of Law and Order or F.B.I. Why bother to remember them unless they are really unique and make a big impression?

Unfortunately, many of the books I’ve encountered as I go through my crime spree of reading, have elicited groans of disgust and frustration from me as I read what might have been a good book, but for the grammatical errors and word usage mistakes.

I won’t even mention lay and lie.

The most original, yet horrifying, error I have seen in a long time was used in a sentence that talked about what the elite do at a public gathering while “the sheeple snap pictures.” I did a double take on that one. “Wha-a-a-a-at?!” I had to read that  over again. “The sheeple snap pictures.” This author needs a copy-editor for sure.

I can’t remember if it was the same author or another one who called one FBI agent by different names throughout the book. Let’s say the agent’s name was Brad Benton. On one page he would be referred to as Agent Brad, and on another he would be Agent Benton, and so it alternated all the way through. All the other agents in the book had only one name each throughout.

Now for an expression that had me growling as I read. Two different characters in this book were described as having intelligent eyes. Can anyone tell me how an eye can have intelligence? I suppose all the other characters in the book had stupid eyes. Not only is it impossible for eyes to be intelligent, but this miraculous phenomenon took place at least six times in the book, once a mere two pages apart.

Puhleeze! Get yourself a copy-editor, unless you want to achieve fame for all the wrong reasons.