Rewriting. What to do and when to stop.

I love rewriting better than writing the first draft of my novels.

• First I’m much more relaxed because I know the hard work of getting the storyline on “paper” is done.

• As I rewrite I find mistakes and have a feeling of satisfaction when I fix them.

• I find little treasures like a paragraph that I can rewrite using dialogue rather than boring narrative, and I’m pleased with myself for figuring that out.

• I can’t believe I fell for the use of other words as dialogue tags instead of “said” and “asked” and I fix those, reaffirming that I can make the dialogue do the job of expressing the emotion rather than relying on the dialogue tag to provide it. Fancy words like “inquired” and “replied” just slow down the action. “Said” and “asked” are more like punctuation—necessary, but meant to be glossed over. This is also the place where I look for “ing” words and get rid of them if possible. (For example: “I’ll be right there,” she said, putting down the phone.) If she was putting down the phone when she was speaking into it, I wonder if the other party even heard her.

• I look for repeated words and try to avoid using the same words or expressions in one paragraph. Repetition becomes obvious immediately when reading your work out loud.

• Speaking of repetition, character names are often overused, especially in dialogue. Have you ever noticed that when you’re talking to someone, you rarely speak their name? The other person knows you’re talking to them and you and that person both know his or her name. Why would you keep on saying it? So for natural conversation, use the other person’s name sparingly. I often have to take out names in dialogue, and in narrative sections I replace them when possible with he or she.

• In dialogue, the sentences should be fairly short. I need to check for long sentences that give a lot of information. People just don’t talk that way. Often they use only one or two words or phrases. Besides, short, snappy dialogue heightens the tension and that is what every author is striving for.

• In the rewrite, I can also add little tidbits of description of people or places, but I try to be careful to do it in small doses. Long descriptions have a huge “yawn” factor.

• When someone speaks, they may have some physical or emotional reaction that should be added, usually before the quotation. This is a good time to add that information.

• As I reread my first draft, it’s important that I remember which point of view I’m in. I’ve made some awful POV mistakes that my critiquing buddy or I have found. For example, if I’m telling the scene in Andrea’s POV, I can’t write a thought that is happening in Jim’s head. Andrea has no way of knowing what he is thinking. I’m so thankful to have the opportunity to fix POV problems before publication and save myself some embarrassment.

• Now that I’ve mentioned my critiquing buddy, I have to say that my writing efforts are made so much easier because of her. I try to do the same for her and it makes us a great team. If you don’t have a writing buddy to exchange files with and help each other out, it’s very much worth your while to try to find someone who is willing to work with you. I find my buddy’s help invaluable! Oops! She’ll say not to use exclamation marks unless it’s for a one- or two-word expression, but in this case, I do want to stress that her help is invaluable!

 Most authors are perfectionists and they tend to rewrite over and over. I’ve heard it said that an author can tell that they’re finished rewriting when they end up with what they originally wrote in the first rewrite. I wouldn’t go quite that far, but sometimes you wonder ….

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And They Lived Happily Ever After

The setting of my next novel.

Everyone loves a happy ending. At the end of a novel we want to read the equivalent of “And they lived happily ever after.” But is that realistic? Do we even want “realistic”? Maybe that happy ending is too predictable.

After months of agonizing over writer’s block, I have at last reached the end of the first draft of my next novel.

In writing the ending, I was conscious of trying to follow the storyline in a logical manner, and still craft an ending that the reader will find as satisfying as a perfect dessert after a  tasty meal at a five-star restaurant.

How can the author prepare such a gourmet dessert?

1. The events that wrap up the plot must be believable.

2. These events must follow in a logical sequence, while keeping the reader wondering if they will indeed happen.

3. The characters involved should have their character flaws redeemed and resolved by this time.

4. Our hero should be successful in his endeavours.

5. The villain should finally get what’s coming to him.

These steps would allow for a happy ending.

Of course, in real life, happy endings can often have twists. But do we want those twists to happen in a novel?

What do you think? Do you want that dessert to be perfect, or do you want some degree of reality weighing in?

Reality comes in many varieties. The dessert might be too sweet, too bland, too rich, or too ordinary. There might be a fly in it, or worse yet, a hair.

Think about some endings you have read. How do they make you feel? What kind of endings do you like?